To Wake the Dead

Tag: Alphabet

  • Tools of the Trade, 1: Epigraphy: The Local Scripts of Archaic Greece by L.H. Jeffery

    Jeffery’s summary table of all epichoric scripts at the end of LSAG.
    It is foundational for any work on early regional Greek scripts.

    There are very few books I consider truly irreplaceable in my research. Lilian H. Jeffery’s The Local Scripts of Archaic Greece is one of them. First published in 1961 and revised in 1990 with A.W. Johnston, this book remains the reference for regional variations in the Greek alphabet during the archaic period. It’s where I first learned to read epichoric inscriptions with the eye of a paleographer rather than a Classicist alone.

    The book is very hard to find, and I only got my copy at an even remotely affordable price after months of scouring secondhand sellers. While copies still circulate among libraries and the used book market, I wanted to make it more accessible to others working in this area. So I hunted diligently before finding it on the Internet Archive. You can read or download it here:
    The Local Scripts of Archaic Greece (1990 ed.) – Internet Archive

    Jeffery’s study remains foundational for any work on early Greek writing—not just in Athens or Ionia, but across the full spectrum of regional scripts: Corinthian, Euboian, Attic-Boeotian, Cretan, Cycladic, and others. It includes extensive commentary, maps, and an invaluable inscriptional catalogue organized by region, with drawings and typographic transcriptions. The 1990 revision added important corrections, expanded references, and additional illustrative material. For those of us studying alphabetic transmission, especially the Phoenician-Greek interface or the evolution of letterforms over time, this book is indispensable.

    What makes Local Scripts especially useful is that it bridges the gap between paleography, archaeology, and linguistics. Jeffery doesn’t just chart when and where a particular variant of alpha or epsilon shows up—she explains what those variations might imply for chronology, influence, and contact. And although her typology has been revised and challenged in places (especially with the discovery of new inscriptions), her system remains a critical baseline for almost every study that’s come after.

    Whether you’re interested in early Greek literacy, the transmission of the alphabet, the sociopolitical meaning of epigraphy, or just want to be able to tell the difference between Laconian and Euboian chi, this is the book to start with. I hope having it freely available will be helpful to others navigating this fragmentary and fascinating material.

    Do you have other resources you pair with Jeffery? I’d love to hear what we can supplement LSAG with.

  • APEX Updates, 1: Building a Dataset

    Every big project starts with a deceptively small question. For me, it was: how do you turn a carved letter into data?

    APEX (Alphabetic Paleography Explorer) is my attempt to map how the Greek alphabet developed and spread—first across Greek-speaking regions, then into other scripts entirely. But before I can compare, model, or visualize anything, I need something more fundamental: a dataset that doesn’t just record letters, but understands them. That’s where things get tricky.

    Step 0: Drawing the Inscriptions

    Most corpora don’t offer clean, high-res images. They give us facsimiles—drawn reconstructions, often made by epigraphers decades ago. I tried using automated skeletonization on those, but the results were messy and inconsistent. So I went manual: scanning documents and tracing letters by hand on my iPad.

    It’s slow. But it gives me clean, consistent vector forms that reflect how letters were actually drawn—and forces me to look closely at every curve, stroke, and variation. In a sense, this is my own kind of excavation.

    What I Track

    Each inscription gets logged with basic info: where it was found, what it was written on, when it was made (as best we can tell), and how damaged it is. But the real heart of the project is the letters.

    For each character, I record:

    • Visual traits (curvature, symmetry, stroke count, proportions)
    • Layout (spacing, alignment, writing direction)
    • Function (sound value, graphemic identity)
    • Notes on ambiguity or damage

    From this, I can start comparing how different regions handled the same letter—Did their rho have a loop? Was their epsilon closed?—and whether that tells us something about cultural contact or local invention.

    The Workflow

    The data entry pipeline looks like this:

    1. Scan + trace the letterform
    2. Enter the inscription’s metadata
    3. Manually mark letter positions and reading direction
    4. Extract geometric features automatically
    5. Save everything as structured, nestable JSON

    It’s part computer vision, part field notes, and part quiet staring at a very old alpha until you start to feel like it’s looking back.

    Why This Level of Detail?

    Because I want to ask big questions—how alphabets travel, which paths are innovations vs. imitations—but I don’t want to ask them fuzzily. Too much work on writing systems either leans purely qualitative or strips out the messiness for the sake of clean data. APEX is an attempt to hold both: interpretive richness and formal structure.

    This dataset—AlphaBase, soon to be expanded to other open-access museum collections and public domain corpora—is the scaffolding. It’s how I’ll test transmission models later on. But even on its own, it’s already revealing things—like which letterforms stay stable across centuries, and which are quick to splinter under pressure.

    APEX begins here: not with theory, but with tracing. With building a system that doesn’t just store letterforms, but actually listens to what they’re doing. That’s what this first trench is for. Now I get to start digging.